Mirko Bertuccioli is a musician from Pesaro: event organiser, DJ, and manager of Plastic, an unforgettable record shop in town. He is Zagor Camillas in the band/elective family I Camillas. He died, due to Covid, on April 14, 2020. The idea of making a film about him was a matter of heart and beat, also to prove that you can make music, and so much more. A reporter and photographer, Filippo Biagianti makes documentaries and teaches video editing. Vittorio Ondedei is a musician, actor, writer, and co-founder of the band I Camillas (2004-2020).

This is the story of a man who possessed a magical and elusive quality that made him a legend, shining through on each of his appearances on the big screen. Born in a small town in Southern Italy, Valentino emigrated to New York in 1913 at the age of 18. Without speaking a word of English, his good looks came to his rescue. He initially took up small films roles, landing him on the sets of various well-known silent movies. After starring in The Sheik he instantly became a superstar and a sex symbol of the 1920s, known as the “Great Lover“. Women went crazy for his dark, mysterious look, and the wanton way the sheik treated the heroine. His life was characterized by success, love, and personal disasters. Valentino's reputation was also enhanced by his arrest for bigamy. After marrying the wrong woman he met the love of his life, Natacha, but failed to wait for his divorce to be finalized before remarrying.

It is 1926 when the famous cyclist Costante Girardengo finds himself in Paris for an important race; his friend Sante Pollastri, a bandit wanted in Italy and France, is also in the French capital. The destinies of the two seem to come together again.

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A serial killer is stalking the streets of Paris and Maigret has to resort to setting a trap in order to catch him.

The 1791 La Clemenza di Tito (or 'The Clemency of Titus') marked Wolfgang Amadeus Mozart's final opera seria. With a libretto by Metastasio (edited slightly by Caterino Mazzolà), the work dramatizes the palace intrigues surrounding emperor Titus's attempts to coronate a new bride and the envious Vitellia's attempts to have Titus assassinated (with the help of Titus's friend Sextus) following the deposition of Vitellia's emperor father. Stage director Martin Kušej mounted Tito in August 2003, at the Felsenreitschule in Salzburg; a film of that live performance now appears in this home video release. The cast includes Michael Schade as Titus, Vesselina Kasarova as Sextus and Dorothea Roschmann as Vitellia. The Wiener Staatsopernchor, under the baton of Nikolaus Harnoncourt, provides musical accompaniment; Jens Kilian designed the sets.

Mozart's La Clemenza Di Tito was originally commissioned to celebrate the coronation of the Emperor Leopold II as King of Bohemia in 1791. This rarely-seen masterpiece was Mozart's last opera. Nicholas Hytner's elegant staging for the Glyndebourne Festival Opera sheds new light on the compelling story of passion that overrides loyalty and integrity that is tested to the extreme.

The docufilm tells the story of Paolo Villaggio's genius through the most iconic Italian character, accountant Ugo Fantozzi. The work was featured in the Classics section of the 74th Venice International Film Festival.

Rossini's first staged opera already contains all the elements that would take the music world by storm in Il barbiere di Siviglia, L'italiana in Algeri and La Cenerentola in the years to come: melodic inventiveness, ingenious connections between sung lines and orchestral accompaniment in the exuberant finale, musical humour and ensembles using breathtakingly fast parlando singing. This sparkling production continues the Rossini one-act opera series emerging from the Schwetzingen Festival with excellent direction, acting and stagecraft. Director Michael Hampe created a perfect realization of the opera in the small, jewel-like Rococo Theatre of Schwetzingen Palace in May 1989.